Exhibition Home Curatorial Statement Sabine Kutt Introduction Uzma Mohsin Ruhani Kaur Richa Bhavanam Paromita Chatterjee

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VASA exhibitions is presening the
work of  four artist from India

 

"A Diminishing Line"

Richa  Bhavanam, Paromita Chatterjee,
Ruhani Kaur, Uzma Mohsin

Uzma Mohsin© Uzma Mohsin

Exhibition curator: Sandeep Biswas

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The exhibition: "A Diminishing Line"

This VASA exhibition of four female photographers addresses the issue of gender equality: Paromita Chatterjee, Richa Bhavanam, Ruhani Kaur, and Uzma Mohsin. Gender in this sense is a social construct not a biological determinate. All four photographers are well-known in the sea of male colleagues. Their work is published in India and is in demand internationally.

This exhibition includes the portfolios by the four photographers and a special introduction by Sabine Kutt, curator's comments and a short video by Ruhani Kaur.

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Paromita Chatterjee© Paromita Chatterjee

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On VASA Exhibitions:

VASA, since 2008, has provided an international platform for individual and group exhibitions, collaborative exhibitions with various organizations and galleries and exhibitions that follow a particular theme or inquiry such as “Where Do We Go Now” curated by Rui Cepeda and the “Kharkiv School of Photography: Soviet Censorship to New Aesthetics” curated by Igor Manko.

VASA Exhibitions are international and multicultural.  The curatorial team has strived to present work that not only represents the photographers but also the social, historical and cultural.  As an online international project, VASA works to engage various digital tools.  Video, as an example, not only offers the potential for the presentation of works, it provides the opportunity and framework for the voice of the author to be seen and heard.   Through image, text, sound and animation, VASA works to expand the exhibition paradigm and provide a rich experience for the viewer (as well as the author).

VASA Exhibitions provides a viewing and research environment by archiving all of the exhibitions in their entirety. For example, the viewer may view a 2009 exhibition as it was presented and not just traces of its existence.

VASA Exhibitions (a program in VASA) includes images, videos and sound works.

 


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