Kharkiv School of Photography: Soviet Censorship to New Aesthetics: Part 2 -- late 1980's-90's
© Igor Manko from Landscape with flying Helicopter
Curatorial Statement
Igor Manko (Ukraine)
Art in the USSR - and art photography was no exception to this - existed under a heavy ideological press of canons, taboos, and bans. This project shows how a group of rebel photographers from Kharkiv, Ukraine, in the 1970’s wriggled their way from under, and how their effort influenced the artistic expression of next artist generations.
Rui G. Cepeda (England/Portugal)
A whole generation of Ukrainian photographers and artists were exploring identity and placeness in the later days of the USSR. Alongside a unique vision framed by the particular political context they were in, these photographers and artists developed and explored different technical areas of expression. This exhibition (in three stages) is an introduction to those that dare to challenge the hegemonic doctrine imposed by the Soviet State!
Roberto Muffoletto (Austria/USA)
Throughout the construction of this three part exhibition, what became apparent were the struggles of individuals to have a platform for their expressive and creative voices. Working underground, as a metaphor and as a reality, a small group of photographers (artist) found avenues for their comment or critique of a social/political/economic situation which capped their freedom to create and speak. The exhibition brings to light their efforts, covering 4 decades, in order to hear their songs of freedom and concern. The exhibition serves to inform and remind others, especially young photographers, of the struggles of the past which impacts them today. Photography, as practiced today in Ukraine, emerged from the brave efforts of these artist to author their dreams, sing their songs. and perform their concerts. It is only through understanding the struggles of the past do we add to our understandings, valuing the voices of today.
Kharkiv School of Photography: Soviet Censorship to New Aesthetics 1970-1980s exhibition engaged three curators and a number of individuals over a three year period. VASA wishes to thank everyone who contributed.